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OTHER TUMBLRS · a visual notebook by Julia Rosa Clark.

Khmel (Hops, and Intoxication) by Boris Pasternak

Under the willow, wound with ivy,

we shelter from the storm.

A greatcoat covers our shoulders,

my arms, to keep you warm.

I’m wrong. The trees in this wood

are circled with hops not ivy.

Better to spread the coat

on the ground, here, beneath me.


Broken off of a statue or a bust, this terracotta head of a god is a  type of representation favored by artists in the Greek colonies in South  Italy and Sicily. Good-quality white marble had to be imported into  these colonies. Therefore, unlike their compatriots in mainland Greece,  South Italian sculptors frequently used the medium of terracotta for  large-scale work.   This god, perhaps Zeus the king of the gods,  has a rich beard and a head of curls that were made separately. The  hollow head was formed by hand, and the individually shaped corkscrew  curls were attached before the piece was fired. Traces of paint remain  on the head—red on the hair, blue on the beard—giving some idea of its  original vivid appearance. This blue paint suggests the identification  of the head as Zeus, who is called “blue bearded” in the Homeric poems.  The outlines of the eyes are incised in the clay. When the statue was  painted, these outlines may have looked as if they were inlaid in  another material.
from here

Broken off of a statue or a bust, this terracotta head of a god is a type of representation favored by artists in the Greek colonies in South Italy and Sicily. Good-quality white marble had to be imported into these colonies. Therefore, unlike their compatriots in mainland Greece, South Italian sculptors frequently used the medium of terracotta for large-scale work.

This god, perhaps Zeus the king of the gods, has a rich beard and a head of curls that were made separately. The hollow head was formed by hand, and the individually shaped corkscrew curls were attached before the piece was fired. Traces of paint remain on the head—red on the hair, blue on the beard—giving some idea of its original vivid appearance. This blue paint suggests the identification of the head as Zeus, who is called “blue bearded” in the Homeric poems. The outlines of the eyes are incised in the clay. When the statue was painted, these outlines may have looked as if they were inlaid in another material.

from here

WEMAKECARPETS

ohscience:

the pompeii worm is the most heat’resistant animal on earth

ohscience:

the pompeii worm is the most heat’resistant animal on earth

julianminima:

Katie Bell
Fanware
acrylic and foam on plaster
2011

julianminima:

Katie Bell

Fanware

acrylic and foam on plaster

2011

curated-by:

Trisha Donnelly, Untitled, 2010

curated-by:

Trisha Donnelly, Untitled, 2010

Alex Ebstein
String Grid,
2010
Wood, Paper, Yarn, Glue, 11” x 21”

Alex Ebstein

String Grid,

2010

Wood, Paper, Yarn, Glue, 11” x 21”

http://nothing-is-new.com/page/11/
Berni Searle, Colour me yellow, 1998

Berni Searle, Colour me yellow, 1998

Anish Kapoor, Yellow

Anish Kapoor, Yellow